Showing posts with label French Quarter Fest. Show all posts
Showing posts with label French Quarter Fest. Show all posts

Tuesday, September 2, 2008

I KNOW WHAT IT MEANS . . .


by Hazim Dayeh—featured writer

Nineteen and a half hours. The trip from New Orleans to Tallahassee normally takes about six. But, this was not an ordinary trip. Once again, and on the third anniversary of the storm we continue to live with, we found ourselves threatened by another major hurricane. For nineteen and a half hours, we drove through sometimes-squally weather, kissing the rear bumpers of vehicles that stretched ahead of us seemingly across the length of an entire nation. For nineteen and a half hours, home lay behind us, abandoned, deserted, and left again to an uncertain fate. And when we finally arrived at our hotel, travel-weary with two very confused cats, we had the rest of our time to watch alarmist news stations again spreading false information, this time about breached levees that hadn’t breached, as if willing something catastrophic to happen so they can keep a tragedy-obsessed nation watching advertisements. There was the one with the insurance companies’ favorite make-believe couple “Harry and Louise” once again attempting to kill health care reform. Then, there was the one with a cute cat who was partial to a new kind of cat food. An unidentified woman was selling me laundry detergent just before yielding to Wilford Brimley, who was saying something about “diabeetis.” One after another, television spots hawked everything from repetitive headache relief products to miraculous stain-removing goop sold by the loudest man on Earth. “More on Hurricane Gustav after the break.” And, when the levees didn’t fail, the networks turned to the old standby human interest stories – babies born during Gustav’s visit to the Louisiana coast, residents who rode out the storm and lived to tell their tale, and the ever-popular, ever-wishful mantra of “Will the levees hold?” America is alive and well and invading my hotel room as if it were a nation in possession of phantom weapons of mass destruction.

So, after another evacuation ordeal, after living under the threat of losing everything I deliberately left behind, along with more important things I forgot behind, several friends and family members have asked, “Why return?” After all, it’s just bound to happen again. In fact, as I write this, a storm named Ike is looks to be taking aim at some unfortunate place along the Gulf of Mexico. So why return? It’s an excellent question to someone who doesn’t know the city like so many of us do, and a stupid question to those of us who love our city so unconditionally. You see, New Orleans is our collective bad boyfriend, and we are its battered but adoring lovers. Time and again, he has given us reason to leave. And, just as often, we have forgiven him, succumbing to his mysterious and inexplicable hold on us. He is mean but charming, temperamental yet beautiful, spiteful though loving. The simple fact is that we love our city like no other. And, when we leave, however briefly, flirting with other attractive and not-so-attractive cities across this nation, we cannot help but feel a void that no other place can fill. We are New Orleans’ bitches, and we’re (mostly) ok with that. To those who cannot comprehend our love, we say, to know New Orleans is to love New Orleans. And, when we’re away, we know what it means to miss New Orleans.

For me, I miss sitting on my front porch, listening to talented high school marching bands spiritedly playing their instruments during a Friday or Saturday night football game. Sometimes, I could even hear major recording artists performing at Voodoo Fest in City Park. I miss the unbridled energy of the Rebirth Brass Band bringing down the house at Tipitina’s and leading a second line down Napoleon Ave. I miss the ferociously talented musicians who fill the humid late night air with music – Trombone Shorty, Irvin Mayfield, Charmaine Neville, Kermit Ruffins, Irma Thomas, Ellis Marsalis, Marva Wright, Big Sam’s Funky Nation, and so many others. I miss Mardi Gras with its pageantry, revelry, and weirdness, Jazz Fest with its many reasons to take a day or two off from work, Voodoo Fest with its eclectic mix of musical talent, French Quarter Fest with its unparalleled (free!) entertainment, and all the other festivals that celebrate our unique culture – Seafood/Creole Tomato/Satchmo/Just-For-the-Fuck-of-It Fests. In short, there are many cities in the world with plenty of culture and entertainment. But, in New Orleans, we live and breathe it, as though entertainment were an extra appendage attached to us, and culture a vital organ within us.

To those of us who love our abusive city, New Orleans is not merely another interesting American city. In fact, as a friend recently opined, New Orleans is not at all American. Its culture, its food, and its people are its own. We couldn’t possibly be less American if we spoke another language (and with the city’s colorful accents, one could argue that we do). This is the point that many outsiders cannot reconcile. To the city’s naysayers, we are an awkward, backwards people who do not seem to know how to operate a city efficiently. And yet, we are good enough for their conventions. On any given week, one can find these New Orleans critics walking our streets. They are the doctors, lawyers, and business executives who stumble and stagger along Bourbon Street, then return home to share pictures with their friends of their visit to “N’awlins.” To these platoons of America’s army invading our bars, we are good enough to party with, but too backwards to befriend. Thanks for the money, folks. Our beer taps will always flow for you.

Of course, like all bad and misunderstood lovers, New Orleans is not without its major flaws. Our crime is, indeed, bad enough to qualify us, technically, as an American city. Our poverty is legendary among other cities in this nation. And, of course, we are susceptible to tropical storms and hurricanes, some of which leave indelible physical and emotional scars, and some that scare us out of our comfort zone, then leave like a polite, if unwanted, guest. But, while we have weaknesses, we are strong. While our spirits sometimes suffer, we are resilient. While we have our share of insecurities, we are confident in our recovery. And, while our fair city is American, we are and always will be New Orleans.

Thursday, May 8, 2008

Fleur de Breeze


There’s a feeling in the night as I write this on our breezy porch. Our majesty palm is fanning her fronds next to me. The lime body of a gecko-like lizard relaxes on one of these sloping branches . The wooden chimes are chiming near our vines, vines which curl their unruly hair out of swinging pots. Some vine tendrils wrap around the wrought iron columns that support the porch. Others shelter a mother bird, who diligently sits on her nest in the swinging pot. I can just barely see the edge of her wings from here, where I sit at a little table in the middle of our porch and type about the night.

New Orleans is so special in Spring, particularly at this almost dusk time, the magic hour between 6:30 and 8:30, when everything gets cooler, a little less humid, and a lot breezier.

Right now, as I type, I can hear the last remaining bass beats reverberating from Jazz Fest, the 7-day celebration of local and big-time music at the Fairgrounds- less than a mile away. A few weeks ago it was French Quarter Fest, a free weekend-long outside array of bands along the Mississippi River. I couldn’t hear it from here, but I could feel it in the rhythm of the streetcar we rode to get there:
tangible excitement, a carefree, everyone’s on vacation attitude
lingering in and outside of the car’s open windows.

Before this it was the Tennessee Williams Fest- a series of discussions about Williams and productions of his plays. A Brando-inspired STELLLLLLLAH! shouting contest amid crowds of hundreds at Jackson Square. We rode the streetcar there too, breezing past signs for the NBA Hornets team and an upcoming performance of the Vagina Monologues.

Coming up is Bayou Boogaloo, with food and music along Bayou St. John, then Greek Fest, Creole Tomato Fest, and on and on…. it’s simply a season of fests and sunny weather before the storm season hits.

And this year it’s also a season of Hornets. Not the kind that sting and stalk you. We’ve got the playoff variety- a western conference number two seed that just beat Dallas in five games flat. People are wearing teal, yellow, and purple just as much- if not more- than they wear black and gold during Saints season. Plus, the team now has fleur de bee merchandise- that’s right- a turquoise fleur de lis with a hornet shaped into it. The bottom of the fleur de lis is the stinger of the bee, or er, the hornet.

This is very smart marketing for a once Saints-only city. The Saints emblem is of course a gold fleur de lis.

Lately I’ve been seeing a lot of turquoise fleur de lis flags breezing by— hooked to the tops of cars and swinging from porches not unlike ours.

The porch is central to social life and tradition in New Orleans. Porches, particularly on shotguns, are designed to achieve maximum breeze. Our porch always rests in the shade. It’s oversized, open, raised four feet off the ground, and has two sets of stairs.

Porches are where friends and neighbors sit and talk about nothing in particular at night, starting at this magic time, at near dusk. If the mosquitoes are out, we burn citronella candles, or simply forget about it. On our street, the shotgun house porches are lined up so that if you turn your head to the left, you can look all the way through people’s porches until the next cross street. If you turn your head to the right, you can do the same thing. It’s a little bit like having a tunnel of porches on either side, a thin channel for that sweet breeze to blow through.

One of the most traditional, memorable scenes of Jazz Fest is the porch culture before and after each long day of music and incredible fest food. In the morning, people are on their porches, in rockers, folding chairs and sofas, selling bottled water, playing instruments, listening to music, or cheering the crowds of Jazz Fest goers on and on. At night, porch people living around the Jazz Fest scene drink, eat, chat, and invite strangers to join. There’s always a trumpet blasting in the street somewhere. Some people sell water for half price. Others vend memorable wears of the political variety. I picked up “Obama 504” – hand-crafted in Mardi-Gras colors at this year’s Jazz Fest, for $12.

Tomorrow I’ll wear this shirt to work because it’s Friday, and everyone around the city dresses down. Jeans, tee-shirts, sandals: it’s all part of this spring breeze—the few weeks between March and May when everything is tolerable, celebratory, and going on, growing strong. This year, we planted our first-ever garden during this magical time. We didn’t till the soil or pull up weeds, but somehow—the tomatoes, herbs, hydrangeas, palms, and fig tree— it’s all thriving.

Things tend to slow down to a lazy gravy pace in summer, when the heat is thick, the breeze is mostly gone, and the threat of major storms goes on and on. But the spirit of festivals, porch people, and that spring almost-dusk breeze never quite leaves.

All year long, you can see this spirit on the faces of the people here: a light relax in their smile, a dancing candle bright in their eyes.